First 2012 Image

We were driving home in the afternoon today, the second day of 2012, and noticed pretty looking clouds. The setting Sun was painting them well. I took my camera out the front door, setup the tripod and took a handful of shots before the color faded away. Being right in the middle of our neighborhood, there wasn’t much of a scene in the foreground. However, the leafless tree was good enough for me, and it reminds me of winter.

Leafless Tree and Clouds at Dusk

Leafless Tree and Clouds at Dusk

Lets hope Nature presents us all with colorful and pleasant moments for the entire year.

Happy New Year!

 

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Why do you take so many pictures of the same thing?

You’ve either been asked this question, or maybe you’ve asked other photographers this question, or wondered about it. Didn’t you? Why do you take so many pictures of the same thing?

Few years ago I remember reading an advertisement for a memory card company (I forget which one) that said something like,

What you lack in talent, make up in quantity.

That’s one good reason to stock up on memory cards. Seriously though, there are occasions when shooting multiple pictures of the same “subject” is called for. Here’s some obvious and some not so obvious ones:

  • Sporting events: in fact, keep “gunning” at the highest frames-per-second that your camera can support. In general, it is very difficult to click just one picture at the peak of the action, even if just one moment can be called the peak event.
  • Cultural events: During plays, dances, ballets, etc., I’d take several shots to ensure that at least some are useful. Some pictures freeze actors in strange looking poses in between their dialog or expressions. Same for dancing and ballets.
  • Moving water: The main reason being that moving water always looks different. I will just refer you to two recent articles I read on this topic: Michael Frye (link) and William Neill (link).
  • Different interpretations, or “working the subject”: a subject can be shown in numerous ways. This is where you go beyond the first impulse of taking the picture of a subject.

There are several advantages to the last point above. This has the potential to give you a picture that is different from what has been produced before of the same subject. Or, the light may change during the course of taking so many pictures. Consciously forcing yourself to come up with different interpretations of the same subject can bring out creativity and innovation.

Here’s some examples from my recent pictures. The first picture shows the pier at which I took hundreds of shots in little over a couple of hours. Towards the end, the lights on the pier turned on and gave me this shot that I liked more than the ones from earlier. The second is reflection of the famed Golden Gate bridge at sunrise. The third is reflections of parked boats at Sausalito bay. It lends itself more as an abstract.

Next time you are out with the camera, don’t feel pressurized by others’ asking you this question. It is OK to take hundreds of pictures of the same subject to make a better image.

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17-Mile Drive in Carmel, California

South of San Francisco, California, is a beautiful stretch of road along the shore, simply called the 17-Mile Drive in the city of Carmel. We happen to go visit that while playing host to Subha’s cousin and his family. He turned out to be a photo enthusiast as well. So, it was all set. We would make a day trip out of it with the two of us also toting our cameras and shoot as much as the time would allow.

A popular spot there is the lone cypress tree. Although it was cloudy all day, we saw some color with Spring flowers showing. I like such light when shooting flowers since it can bring out better color saturation and keep the contrast within the camera sensor’s dynamic range.

Here are some of the images from there. Click on the thumbnails for larger view.

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Table Top Setup For Blueberry Cake Image

Last month my wife baked a great looking (and tasting) Blueberry Cake with Streusel Topping. I quickly setup an umbrella on a stand to take a few pictures. I happen to take a shot of the setup I used. Here’s a short description of it for those interested in behind the scenes picture.

Setup for Cake image

Setup for Cake image

The small round black plate is where the piece of cake will sit. The big umbrella had half of the black cover removed. On the left is a 12×12″ silver reflector resting on a cereal box. The big bound book with open plain black pages is acting as a ‘gobo’, preventing light spill onto unwanted areas. The cylindrical tube partially visible at the top edge is holding one speedlight (flash) and acts as a spot. BTW, that tube came with Senseo coffee machine to store their single-serve pods. I don’t drink that anymore (too acidic for me), but the tube works great with a black matte paper inside to absorb reflections.

The speedlight shooting through the umbrella is has a 1/4 CTO (gel with Color Temperature Orange) over what the speedlight has for the spot. This makes the ambient light in the image be a bit warmer than the light falling directly on the piece of cake in the foreground. The reflector is throwing back some light on the left edge of the cake to help it stand out from the background. The angles of lights are chosen to minimize or eliminate reflections from the glass tray seating the cake in the background.

And, of course, you see the ball head and tripod where the camera will sit.

After doing a custom white balance with a neutral gray card and chimping for exposure (looking at RGB histogram), I only had to take a few shots to try different compositions. Once I got a few compositions I was happy with, the post processing was very quick and straight forward.

Here’s the final image:

Blueberry Cake with Streusel Topping

Blueberry Cake with Streusel Topping

I hope this was useful to you. Feel free to share your thoughts on this image and/or the setup, by leaving comments below.

Thank you.

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Trip to Panther Beach near Santa Cruz

Made a Sunday afternoon trip with couple of friends to Panther Beach near Santa Cruz, south of San Francisco bay area. We were there a few weekends ago. There were no spectacular clouds, but, it was the first time for us going there. So, we got some shots. Sunset light is always interesting, in different ways each day.

Here’s a few from the evening. We walked back to the car while the stars were out. The Panther Rock itself looks interesting. So were the waves slashing on to the rocks. Finally, a couple of images with early evening stars visible.

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Fort Point (Golden Gate Bridge) and Sausalito Bay

Last Saturday morning a few friends and I woke up early to go to Fort Point (at the base of Golden Gate Bridge) to catch the Sunrise over the bridge. One of the friends was visiting the Bay Area and that was a good impetus for the trip.

We were treated to some amazing colors on the city skyline just before the Sun came up. That was very beautiful. However, as soon as the Sun came up, the clear blue sky wasn’t exactly what we had hoped for. But then, when you go out to shoot there are some things you wish for and then there are things you get you didn’t expect at all.

After turning our viewfinders away from the strong rising Sun, we focused on the iron chain fence, rocks, and the water in front of us, with the iconic Golden Gate Bridge in the background. The warm sunlight on the red structure was a good contrast against the clear blue sky.

A few quick shots later we were ready to go somewhere else. But, just before we left I noticed that the golden light on the red tones of the bridge were reflecting well in the water right in front of us. I knew what I was looking for. A few paces of movement and a change of lens to my favorite 70-200 zoom gave me several frames of flowing water with the golden reflections.

The cool tones of water in shade play very well with the warm tones of reflected bridge. With a little bit of experimenting and chimping I found that the shutter speeds between 1/3rd and 1/6th of a second provided a good feel for the water flow. Using a stable tripod and a cable release (to ensure that the rocks are sharp) I fired away several frames with waves crashing on the rocks.

Then we went off to Sausalito Bay. The Sun was strong in the clear sky. I focused my attention to the reflections of boats in the water. First, they provided interesting abstract patterns. Second, they provided a better contrast range for me to deal with. I came out with a few images that were different from what I had shot before.

Here’s a gallery of images from the morning.

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Favorites from my 2010 images

It is the beginning of a new year, 2011. Time to gather some of my favorite images that I made in 2010. I look at these to see if I made progress in the year with my photography. I basically had one goal in mind:

  • Create at least 2 – 3 images in the year worth printing large

The images are “worth printing large” only if they are successful at both of these aspects:

  • Technically good images – this is a result of making a good exposure preferably at camera’s base ISO and also using good discipline for quality image capture such as camera support (tripod + ballhead), cord/remote release, and mirror lock-up/pre-release. And then careful post processing so as to not introduce artifacts. With digital photography, capturing image in RAW is a must as opposed to JPG format.
  • Aesthetics – does the picture tell an interesting story? Or, does it evoke an emotion that the viewer can relate to? In general, does it hold the viewer’s interest for more than a quick glance?

Here’s a gallery of my favorites from 2010. If you would like, drop in a comment below.

Thank you for looking. Wish you A Happy New Year.

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Playing The Hot Shoe Flashes

I recently bought two books – both by Joe McNally. First I finished reading ‘The Moment It Clicks’ non-stop in a few days. And then immediately ordered ‘The Hot Shoe Diaries’. Had to go on a trip after reading three quarters of it (and I still am on the trip as I write this), but ran out of space in my bags to carry it (darn airline baggage fees).  Not coincidentally, I started reading the strobist blogs as well.

Its hard to stop reading their works. Well, if I can’t read more of what they have to write, maybe I can put some of it into practice. So, here’s my little foray into the world of exploiting the puny hot shoe lights a little better.

Note:  All images in this post are straight out of camera (shooting RAW + jpeg) with no adjustments. Only resized to post here. Can’t wait to get home to a calibrated monitor and real photo software.

First is a simple shot of my daughter with the grandpa. Well, the small hot shoe flashes would produce harsh shadows. But I wanted soft light to light them entirely, like the one that comes from big windows, or big soft boxes. but still have some directional quality. So, out comes a white bed sheet, taped to the wall on camera left. One SB 800 with its dome diffuser on it sits on a makeshift stand behind the sheet in SU-4 mode (optical slave). An old SB 28 sits atop the camera wearing Lumiquest 80-20 modifier to send most of the light on to white ceiling. Can’t wait to go home and look at it on my calibrated monitor and process the raw file in Capture NX, but I think I am liking the result.

Next, I tried gel’ing a bit. The weather here in Louisiana is mostly cloudy, right now in August, with thunderstorms. Especially today. With ambient light, it would be mostly flat and blue, not to mention slow shutter speeds with wind blurring the objects. With a gel that comes with SB800 light, its a bit more interesting. Manually zoomed the flash to the max (105mm setting). Used Commander mode on the D300s with the single remote SB800 on TTL and on camera’s puny light a stop below it to fill in some shadows. Tried to “create” the warmth of sunset light with extreme angle in these shots, just for kicks. The frog shot actually was especially boring without the contrast b/w orange light and blue ambient in the reflections on water.

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Few from Ranch San Antonio Park

After plans to go to another place fizzled out, a quick drive to nearby Rancho San Antonio was fun. Its such a nice place to just walk around and be surrounded by nature.

Here’s a few images from this evening.

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Actor Headshots

These are from a shoot for actor headshots last weekend. Amit Sharma is an aspiring actor whose brilliant performance I had watched when photographing Naatak’s “Final Solutions” play. He urgently needed headshots within a week and we tried to work around the July 4th long weekend. Our limited time got cut short even more due to the long weekend traffic. Nevertheless, we made the best of the situation.

We tried about eight different setups to get some variety. Here’s a few that came out to our liking.

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